Pilar Albarracín, Evelyn Axell, Enrico Baj, Julien Berthier, Julien Bismuth, Alain Bublex, Robert Cottingham, John DeAndrea, Erik Dietman, Claude Gilli, Eulàlia Grau, Raymond Hains, Taro Izumi, Richard Jackson, Alain Jacquet, Martin Kersels, Paul Kos, Zhenya Machneva, Louise Nevelson, Henrique Oliveira, Lucie Picandet, Peybak, Emanuel Proweller, Niki de Saint Phalle, Pierre Seinturier, Peter Stämpfli, Keith Tyson, Tomi Ungerer, Jacques Villeglé, Julia Wachtel, Winshluss, William Wegman and Virginie Yassef
Raymond Hains
Le Chat
1957
Ripped posters on canvas
11 ⁵/₈ x 6 ⁷/₈ in
William Wegman
Mask
1990
Color Polaroid 24 x 20 inches
28 ³/₄ x 21 ⁵/₈ in
Alain Bublex
An American Landscape – police cruiser – day
2024
Ink jet and Diasec on aluminum
31 ¹/₂ x 53 ¹/₈ x 2 in
Edition of 3+1 A.P.
Robert Cottingham
Lao
1978
Oil on linen canvas
32 x 32 in
Richard Jackson
Red Blue Deer
2004
Mixed media
55 ¹/₈ x 55 ¹/₈ x 48 in
Niki de Saint Phalle
Le Château de Gilles de Rais
1962
Paint, plaster and various objects on wooden panel
50 ³/₄ x 76 ³/₄ x 9 ¹/₂ in
Henrique Oliveira
Xilempasto 22
2022
Plywood and pigments
34 ¹/₄ x 24 ³/₈ x 9 in
Pierre Seinturier
Centralia / 003
2018
Acrylic and oil pastel on canvas
63 ³/₄ x 63 ³/₄ in
Louise Nevelson
Petite Delight
1959
Painted wood assemblage
17 ³/₄ x 13 x 6 ¹/₄ in
Peybak
Strange Aeons #3
2021
Acrylic and gesso on canvas
70 ⁷/₈ x 70 ⁷/₈ in
In the history of art, the English term “conversation piece” refers to a genre of painting depicting a group portrait in an informal setting, with an intimate character, which developed especially in 18th-century England. The term “conversation painting” may also be used.
Conversation pieces differ from other group representations that obey the rules of portraiture. A conversation is clearly taking place in the painting, usually as part of the daily life of the group depicted, belonging to bourgeois society. Typically, the group is made up of siblings or members of the same family, but friends may also be present, as well as servants. The setting favors interior scenes, but also evolves towards local landscaped environments (garden, park).
Most of the time, these are medium-sized paintings, corresponding to that of a half-body portrait, but in a so-called “landscape” or “Italian” format.
Conversation is a name derived from the Italian phrase sacra conversazióne, translated into English as sacred conversation: a type of religious painting, it depicts the Virgin Mary in majesty, holding the infant Jesus, but surrounded by figures (saints, donor), a genre that flourished during the Renaissance and was part of the humanist spirit.
The genre first evolved in the Netherlands from the 17th century onwards, in a secular manner, where numerous group portraits were executed. Two types of groups can be distinguished: family or collegiate, in which case the grouping represents a gathering of people with a common function or activity. Frans Hals, Rembrandt and other artists of the period composed such scenes, using a variety of poses: glances towards the viewer (or the painter), playful or joyful details to brighten up the whole and make it familiar, close, immediate and spontaneous. The most famous example is Rembrandt’s Night Watch.
For this new exhibition, we therefore enjoyed creating conversations between the works, creating formal, technical, thematic or more dreamlike and light-hearted connections.
With :
Pilar Albarracín & Winshluss,
Evelyn Axell & Tomi Ungerer,
Enrico Baj & Taro Izumi,
Julien Berthier & Jacques Villeglé,
Alain Bublex & Robert Cottingham,
Eulàlia Grau & Peter Stämpfli,
Raymond Hains & William Wegman,
Richard Jackson & Julien Bismuth,
Alain Jacquet & Erik Dietman,
Paul Kos & John DeAndrea,
Zhenya Machneva & Virginie Yassef,
Louise Nevelson & Peybak,
Emanuel Proweller & Claude Gilli,
Niki de Saint Phalle & Richard Jackson,
Pierre Seinturier & Henrique Oliveira,
Keith Tyson & Martin Kersels,
Julia Wachtel & Lucie Picandet